Index
A woman stands behind a child as part of Exile by Chamber Made Photo: Daisy Noyes

About

Set on a desolate coastline, Helen Gifford’s exquisite chamber opera, Exile, explored the psychological state of Iphigenia as she reflects on her time as a high priestess of human sacrifices. Exile was the ultimate and dramatic combining of Greek tragedy, chamber opera, advanced digital media, new mobile technologies and contemporary music.

Exile featured acclaimed soprano Deborah Kayser with an ensemble of percussionists, clarinets, piccolo and mandolin, with pre- recorded mandolin-guitar and women’s chorus.

The work combined operatic performance with the extraordinarily textured and layered virtual gaming visuals by cult new media artists Champagne Valentine (Amsterdam).

Collaborators

Helen Gifford AO, Composer

Margaret Cameron, Director

Richard Meredith, Librettist

Brett Kelly, Conductor

Champagne Valentine (Anita Fontaine & Geoff Lillemon), Multimedia Artists

Deborah Kayser, Soprano

Aviva Endean, Clarinet

Eugene Ughetti, Performer - Speak Percussion

Matthias Schack-Arnott, Performer - Speak Percussion

Chris Clark, Piccolo & Clay Flute

Nicole Canham, Clarinet

Karen Heath, Bass Clarinet

Ken Murray, Mandolin

Peter Neville, Performer - Speak Percussion

Presentation History

Exile was recorded in front of a live audience at the Iwaki Auditorium, ABC Southbank Centre by ABC Classic FM and then transformed into an interactive music-video iPad application in Amsterdam by Champagne Valentine.

Partners

This project was supported through Aphids by the City of Melbourne, Arts Victoria, Sweet Design and private donations.