'Dybbuks is a rare example of genuinely terrifying live performance ... Director Samara Hersch has crafted a visceral, heart-stopping experience that draws on Jewish tradition (and music) to deeply unsettling effect.'

'At the end, after applause that is as much awed as admiring, the space is suddenly quiet but continuing somehow to reverberate. And much of the audience do not leave. Many are not even discussing their feelings with their neighbour. They are simply still, some speechless, their minds, bodies and emotions still resonating with what they have seen and heard. This is, quite literally, an extraordinary work.'

'Dybbuks is deeply perplexing, at times disturbing, but also evocative and alluring.'

'Chamber Made has taken an iconic old-world play (‘The Dybbuk’ 1913, Ansky) and dug under it, deep into the dark, loud and warm female subconscious ... Lauren Langlois is completely breath-taking and terrifying as the spirit-filled Leah.'

' ... a production that teems with contrasts ... and inhabits the outer reaches of experiemental theatre ... Samara Hersch is a bold talent to watch, and set and lighting designer, Paul Jackson, is an alchemist in his own right. From dais to mikveh to grave - the transformations wrought through that simple, but ingenious stage set are a triumph.'